JOE GILL speaks to the Palestinian students in Gaza whose testimony is collected in a remarkable anthology
Compelling Cuban constructs from brilliant sound architect
MARY CONWAY delights in a rarely performed comedy that recalls a Britain we remember in our bones
JEAN ROBERTS appreciates the way traditional panto can be remodelled into critique of the academy schools system
MARY CONWAY is riveted by a superbly crafted glimpse into the soul of a cast-off US star
MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
Aruan Ortiz Trio
Hidden Voices and Cubanism
(Intakt)
ARUAN ORTIZ, who was born into the Cuban world of total music in 1973, spent his boyhood walking through the working class streets of his home city Santiago de Cuba.
There, he experienced popular music, folkloric dance companies, random amateur guitarists, vocalists jamming and singing, choirs, rumba-percussion and Cuban-Haitian groups — all this while simultaneously exposed to European classical music at the local conservatory.
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