GORDON PARSONS applauds a marvellous story of human ingenuity and youthful determination, well served by a large and talented company
Compelling Cuban constructs from brilliant sound architect
SUSAN DARLINGTON applauds bold choices that force the audience to re-examine a familiar comedy
PETER MASON relishes a quirky and highly entertaining take on Shakespeare’s tragicomedy
New releases from Bill Callahan, The Delines, and Beck
STEPHANIE DENNISON and ALFREDO LUIZ DE OLIVEIRA SUPPIA explain the political context of The Secret Agent, a gripping thriller that reminds us why academic freedom needs protecting
TONY BURKE speaks to producer and broadcaster LUCY DURAN about her new project — Guitari Baro
Aruan Ortiz Trio
Hidden Voices and Cubanism
(Intakt)
ARUAN ORTIZ, who was born into the Cuban world of total music in 1973, spent his boyhood walking through the working class streets of his home city Santiago de Cuba.
There, he experienced popular music, folkloric dance companies, random amateur guitarists, vocalists jamming and singing, choirs, rumba-percussion and Cuban-Haitian groups — all this while simultaneously exposed to European classical music at the local conservatory.
Similar stories
Peter Mitchell's photography reveals a poetic relationship with Leeds
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party