APURBA CHATTERJEE explains how British artists in India used the “picturesque” to reshape colonial landscapes and celebrate imperial power
Compelling Cuban constructs from brilliant sound architect
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
ANGUS REID recommends a uniquely accomplished documentary collage that contemplates our relation to the natural world
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
Aruan Ortiz Trio
Hidden Voices and Cubanism
(Intakt)
ARUAN ORTIZ, who was born into the Cuban world of total music in 1973, spent his boyhood walking through the working class streets of his home city Santiago de Cuba.
There, he experienced popular music, folkloric dance companies, random amateur guitarists, vocalists jamming and singing, choirs, rumba-percussion and Cuban-Haitian groups — all this while simultaneously exposed to European classical music at the local conservatory.
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