MARIA DUARTE and ANDY HEDGECOCK review The Tasters, A Pale View of Hills, How To Make a Killing, and Reminders of Him
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This Salome is a really rocky horror show
Stroll on: Allison Cook as Salome
SYLVIA HIKINS celebrates the chance that a new memoir offers to explore Frieda Brewster’s remarkable life story
JOHN GREEN is intrigued by an explanation of irrational behaviour from the point of view of brain science
PAUL DONOVAN enjoys a somewhat rose-tinted survey of Brown’s achievements and legacy, as well as his moments of political cowardice
GUILLERMO THOMAS recommends an important, if dispiriting book about the neo-colonial culture of Uganda under Yoweri Museveni
SUSAN DARLINGTON applauds the sensuality and strong characterisation of an unconventional ballet about an unconventional woman
Salome
London Coliseum
AT ITS best, the combination of plot, music, acting and direction in opera can provide a pinnacle of dramatic and theatrical achievement. Any failure of even one of these elements may result in the kind of production that turns off many theatre-goers.
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