GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
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Gordon Parsons
GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare
GORDON PARSONS recommends an ideal introduction to the writer who was first to give the English a literary language
GORDON PARSONS welcomes a graphic biography of George Sand, the most popular French novelist in 19th-century Britain
GORDON PARSONS relishes a fast moving production of Sheridan’s comic masterpiece
GORDON PARSONS relishes a play that reveals how language carries much more than simple communication
GORDON PARSONS appreciates a very necessary exploration of the benefit of knowing more than one language
GORDON PARSONS witnesses a production committed to great fun but signifying nothing
GORDON PARSONS is underwhelmed by the inflation of a petty war into the undeserved status of epic
GORDON PARSONS wonders at a near perfect production of Shakespeare’s eloquent fairytale
GORDON PARSONS enjoys the tale of a self-emancipating woman told with deceptive simplicity
