ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
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Theatre: A Lesson from Aloes, Finborough Theatre London
Athol Fugard's play is an acute reminder of the horrors of apartheid-era South Africa
Frightened people: Dawid Minnar and Janine Ulfane
[Alixandra Fazzina]
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
BRENT CUTLER searches a new history of contemporary Iran for an understanding of the Islamic Republic, finding both interesting detail and glaring omissions
MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
THE opening of A Lesson From Aloes lulls you into false sense of security.
Piet and Gladys Benzuidenhouts are having a lazy afternoon in their isolated Port Elizabeth back yard, awaiting a visit from his old friend Steve and his family. There’s talk of sunburn, the resilience of aloes and the significance of names — underlined by a Romeo and Juliet quote — but little more.
Fortunately, when you are in the hands of South Africa’s master dramatist you know you won’t be underwhelmed for long and, slowly, Athol Fugard begins to turn up the heat.
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