DENNIS BROE observes how cutbacks, mergers and AI create content detached from both reality and history itself
THE OUTCOME of the 2015 general election was a smack in the face for the Parliamentary Labour Party, exposing its fundamental inability to provide credible alternatives to the catastrophe of the Cameron-Clegg coalition and cementing the shift to the right in the Tory government.
Using the election campaign of that year as the context for his political satire, writer Ben Alderton attempts to lampoon political leaders and the methods they deployed in pursuit of power. Thinly veiled caricatures of Miliband, Cameron and Clegg expose their personal and political weaknesses and the corrupt and cynical culture that defines our political institutions.
Successful satire needs to interpret political truths in a way that exposes the absurdities, contradictions and frailties that infect the political system and the individuals who inhabit and exploit it. The failure of this production is that the caricatures of the key individuals are simply not convincing.
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways
ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
RAMZY BAROUD highlights a new report by special rapporteur Francesca Albanese that unflinchingly names and shames the companies that have enabled Israel’s bloody massacre in Gaza
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play



