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A Streetcar Named Desire, Young Vic/National Theatre at Home
Gillian Anderson is riveting as the damaged goods in a Tennessee Williams classic
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
WHEN A Streetcar Named Desire premiered in New York in 1947, it was hailed as a sensation. It went on to become a 20th-century tour de force and as director Benedict Andrews demonstrates in this Young Vic production, it is an abiding masterpiece.
TO DIE FOR: Gillian Anderson (centre) as Blanche DuBois [Photo Alastair Muir]
Its subtle updating is an astonishingly daring approach given writer Tennessee Williams’s precision in its original setting.
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