ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Latest editorial
No Future
Complex streams of consciousness irk and illuminate
MINDBENDER: Adam Welsh
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
NO FUTURE is the brainchild of Adam Welsh, who produces and performs as himself in this livestreamed performance from Camden People’s Theatre in London.
The meaning of the work’s startlingly miserabilist title reveals itself only gradually as a brave journey into the mind of one man and, through him, into the workings of the human brain itself.
At one point TS Eliot is quoted: “Time past and time future … what might have been and what has been … point to one end, which is always present” and it’s a clue to the play’s meaning.
Similar stories
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
This plundering of the archive tells us little about reality, and more about the class bias of the BBC, muses DENNIS BROE
MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow