GUILLERMO THOMAS recommends an important, if dispiriting book about the neo-colonial culture of Uganda under Yoweri Museveni
AFTER a student reunion, ex-lovers Alex and Jason, played with vulnerable intensity by Claire Price and Bo Poraj, return to their old flat.
In Moi Tran’s spot-on set design, it’s now a spare space of packed-up boxes, dodgy standard lamps and ghastly red carpet.
Their prevaricating and elliptical dialogue has another “character” in tow — or rather undertow — Alex’s menopause. This disorientating state is fantastically well conveyed by Price, who wants to sleep with Jason, not just for old time’s sake but to make her feel real.
JAN WOLF enjoys a British revival of the 1972 come of age farce/panto Pippin
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity



