RITA DI SANTO speaks to the exiled Ukrainian director Sergei Loznitsa about Two Prosecutors, his chilling study of the Stalinist purges
HOWARD BRENTON’S 2013 dramatic treatment of Chinese dissident artist Ai Weiwei’s arrest and 81-day interrogation has acquired fresh relevance today, as part of Hampstead Theatre's “at home” online season.
With Trump rekindling cold-war embers, this well-tested dramatic formula of mental torture techniques, with the victim subjected to disorientation pressures designed to extort confessions, fits well into the media’s current anti-Chinese narrative.
The central interrogation, first by a fairly amateurish police unit who appear to be bewildered by their unusual prisoner, and then by the political department under military auspices, has a compelling authenticity owing to Benedict Wong’s convincing performance as the victim.

GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare
