As Colombia approaches presidential elections next year, the US decision to decertify the country in the war on drugs plays into the hands of its allies on the political right, writes NICK MacWILLIAM
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Entertainment or propaganda? Washington's insidious grip on the arts
MATTHEW ALFORD asks how innocent the arts and the celebrities who front them up really are
The move against alleged PKK members that sparked outrage as a community centre in north London was raided last year has now come to trial, writes TONY BURKE, but in the meantime, the peace process abroad has changed the situation almost entirely
A new report points a way to overcome complacent framing of climate issues, ‘by sparking a wider public reckoning with climate realities,’ and reconnecting with working-class people. IAN SINCLAIR reports
We cannot understand today’s world without understanding the rise of China – and we cannot understand China without understanding how it was shaped by the second world war, writes JENNY CLEGG
NICK WRIGHT reports from Italy, where 80 cities saw Gaza strikes as unions paralysed transport and massive crowds clashed with police in Milan — but France is also kicking off, and Westminster, in a very different way, is facing a crisis of legitimacy too
Escalating anti-China rhetoric from the West has a clear purpose – to manufacture consent for the new cold war, and potentially a hot one, argues CARLOS MARTINEZ
AN EVIL dictator is on the brink of making a nuclear bomb at a secret facility carved deep inside the Zagros mountains. With no option, the American military deploys jets and, against all odds, destroys the factory — then flies home to the strains of [Highway to the] Danger Zone.
An evil dictator is on the brink of using a nuclear bomb. With no option, the American military deploys secret agents and, against all odds, triggers a democratic revolution by blowing up the dictator in his helicopter to the strains of Katy Perry’s Firework.
I‘ve just outlined the plots of Top Gun: Maverick starring Tom Cruise and The Interview starring Seth Rogan.
More from this author
MATTHEW ALFORD considers the principal four reasons there wasn’t a nuclear exchange this year, despite the Ukraine war, the carnage in the Middle East, the provocations over Taiwan — and his best predictions
MATTHEW ALFORD questions the establishment-pleasing politics that underlie so-called ‘political satire’
No matter how black our satire, the government goes blacker – as shown in the WikiLeaks founders’ case, says MATTHEW ALFORD
As a civilisation we are in thrall to and infantilised by our own righteousness, while ignoring the corporate interests that make war miserably predictable, writes MATTHEW ALFORD
