DENNIS BROE searches the literary canon to explore why a duplicitous, lying, cheating, conning US businessman is accepted as Scammer-in-Chief
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Chinese contemporary art
SIMON DUFF walks us through a fascinating display that is bold, optimistic and spiritual
View of the China pavilion
[Andrea Avezzù]
MIK SABIERS raises a glass of Lambrini to commentary, diatribes, punk rock riffs, some pontification and a whole lot of fun
BRENT CUTLER unpicks the complex social relations imagined in a novel about the builders of Stonehenge
SUSAN DARLINGTON laments a version of the adventures of Sherlock Holmes that is unable to solve its own problems
New releases from The Thumping Tommys, Dan O’Farrell and The Difference Engine, and Sean Taylor
For his study of anti-Muslim Muzaffarnagar Riot, HENRY BELL applauds Joe Sacco for a devastatingly effective combination of graphic novel and investigative journalism
Atlas: Harmony in Diversity
Chinese pavilion, Venice Bienale
VENICE, in all its majesty and cultural splendor, is a city that needs a Biennale more than ever. As the population continues to decline and many buildings lie empty a new focus and cultural re-awakening is vital.
The 60th Biennale, entitled Foreigners Everywhere, is designed to showcase art from around the world and runs from April to November in venues across the city. There are many highlights: painting in the Venice pavilion, the extraordinary film and sonic work about the Ukraine war in the Polish exhibition, the ambition of hyper-historical migrant themes in the Spanish Pavilion.
But the work that perhaps best demonstrates the tightrope balancing act of looking both to the past and future is highlighted at the China Pavilion.
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