ALAN McGUIRE welcomes the complete poems of Seamus Heaney for the unmistakeable memory of colonialism that they carry
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Feeling Chile
Co-curator TOM WHITE introduces a father-and-son exhibition of photography documenting the experience and political engagement of Chilean exiles
(L) Chilean academic and photographer Luis Bustamante; (R) Chile demo, Hull 1976
[Matt Fratson/Luis Bustamante]
GORDON PARSONS is fascinated by a musical — and questioning — survey of Shakespeare’s attitude to women
MATTHEW HAWKINS enjoys the work of reading the essays of a rigorous and leading London/Caribbean cultural participant
ALEX HALL appreciates the history of a famous shoot-out that is sourced from diaries, letters, and newspapers of the time
MARIA DUARTE recommends an extraordinary film that explores an absent father’s attempt to make up to his sons
JOHN GREEN, MARIA DUARTE and LEO BOIX review The Shepherd and the Bear, Hamlet, Twinless, and 100 Nights of Hero
Cold Junction,
87 Gallery, Kingston Upon Hull
ON September 11, 1973, a military coup led by General Augusto Pinochet seized control of Chile. The US-backed plot deposed the socialist Popular Unity government led by Salvador Allende. The Pinochet regime embarked on an extensive and brutal terror campaign against Allende’s supporters. Many were kidnapped and tortured. Thousands were murdered or “disappeared.”
Over the following months and years, around 200,000 Chileans were forced into exile. Among them were Luis Bustamante and Carmen Brauning Rodriguez. They left their home city of Valdivia shortly after the coup to live in hiding in Santiago. From there they travelled on to Buenos Aires.
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