This year’s Venice Biennale marks a major shift in European cultural politics suggests CLARE CAROLIN
MY TENDER MATADOR (Pushkin Press, £10.99), by Chilean writer, activist, and performance artist Pedro Lemebel, begins in Santiago, Chile, in the spring of 1986. The narrative, skilfully translated by Katherine Silver, unfolds days before the 13th anniversary of Augusto Pinochet’s brutal dictatorship, which commenced following the overthrow of Salvador Allende’s democratically elected socialist government by a coup d’etat supported by the US on September 11 1973.
At the heart of the novel is the Queen of the Corner, an endearing queer man who lives in a scrawny house in a lower-class Santiago neighbourhood and who embroiders tablecloths and napkins to subsist.
He falls in love with a revolutionary hero called Carlos, a university student who mysteriously appears in his life by hiding some boxes in the Queen’s room on the house’s rooftop.
Far-right forces are rising across Latin America and the Caribbean, armed with a common agenda of anti-communism, the culture war, and neoliberal economics, writes VIJAY PRASHAD
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock



