MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
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The case for sparing the rod
The Cane persuasively reflects on the malignant consequences of corporal punishment, says MARY CONWAY
Spectacular: Alun Armstrong and Maggie Steed
[Johan Persson]
ANDY HEDGECOCK relishes a graphic portrayal of the corrosive impact of commodification, but can’t sympathise with the characters
New releases from Van Morrison, Tyler Ballgame, and Dry Cleaning
RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
The Cane
Royal Court Theatre, London
INSPIRED in its subject matter and its stylised symbolism, Mark Ravenhill’s new play is clever and insightful, exhibiting a highly refreshing artistic freedom in a world dominated by the cliches of mainstream media.
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MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow
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