LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
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The case for sparing the rod
The Cane persuasively reflects on the malignant consequences of corporal punishment, says MARY CONWAY
Spectacular: Alun Armstrong and Maggie Steed
[Johan Persson]
Chris Searle speaks to Syrian/French flautist NAISSAM JALAL
With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
The Cane
Royal Court Theatre, London
INSPIRED in its subject matter and its stylised symbolism, Mark Ravenhill’s new play is clever and insightful, exhibiting a highly refreshing artistic freedom in a world dominated by the cliches of mainstream media.
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MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow