JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Send in the Clowns with James Walsh: August 15, 2022
The Fringe, in its current form, is unsustainable as it means selling one of your more important organs to pay the greedy landlords
Charlie Vero-Martin with Mr Basketcase
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
“I’m off to clown college because it’s cheaper and more accessible to go to Paris and study with a master than to do an arts festival in my home town.”
Charlie Vero-Martin, actor, comedian, writer and improviser, is on stage with a basket with googly eyes.
He is called Mr Basketcase. It is 2am on a Monday morning.
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