RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
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The Man Who Shook his Fist at the Tsar by Jack Robertson
Compelling account of the great Russian poet Alexander Pushkin's defiance of autocracy
Portrait of Pushkin by Orest Kipresnky, 1827
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ANDY HEDGECOCK and MARIA DUARTE review Good Night, and Good Luck: Live from Broadway, Becoming Victoria Wood, Hamnet, and Song Sung Blue
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
AN AMALGAM of biography, history, politics and literature, all woven together by informed commentary and observation, it is difficult to categorise Jack Robertson’s book on Alexander Pushkin.
Taking the reader down numerous fascinating discursive byways, the focus is on the acknowledged founder of Russian literature and his great 1833 poem The Bronze Horseman.
Its title references the great equestrian statue in St Petersburg’s Senate Square celebrating the founder of the city, Peter the Great.
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