ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
NINE years in the making, Whole Hog’s official version of Makoto Shinkai’s 2013 anime film is a love story based on the original Japanese “koi,” meaning love as a longing for someone in solitude rather than the later, Westernised idea of romance. The engaging story explores seven individuals living in the crush of a metropolis struggling to connect to those that are close to them.
The “everyperson” inference in the work’s title does not fully summarise this pair’s idiosyncratic honing of a presentation that could be described as live sculpture or off-beat installation.
They feature low-tech knits and nylons. They deploy lavish live camera-work and deft illusion. They obsessively make a world of surprise and wonder that proffers universal access.
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights



