MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation 

At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator

MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant

MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company

MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND

MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance

MATTHEW HAWKINS relishes the literary output of autistic writers, and recommends its insight to readers both including and beyond the community themselves

MATTHEW HAWKINS enjoys the work of reading the essays of a rigorous and leading London/Caribbean cultural participant

MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists

In search of political understanding, MATTHEW HAWKINS welcomes a critique of anti-semitism as codified by the Israeli state

MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction

MATTHEW HAWKINS unpicks three new shows that deal with historical spectacle, feminism and fascism, and the extinction of species