MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence

MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings

An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance

MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation 

At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator

MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant

MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company

MATTHEW HAWKINS explores the initiatives proposed by HEALING ARTS SCOTLAND

MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance

MATTHEW HAWKINS relishes the literary output of autistic writers, and recommends its insight to readers both including and beyond the community themselves

MATTHEW HAWKINS enjoys the work of reading the essays of a rigorous and leading London/Caribbean cultural participant

MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists