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CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
Best of 2018: Fiction
by ANDY HEDGECOCK
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit
LEO BOIX reviews a novella by Brazilian Ana Paula Maia, and poetry by Peruvian Giancarlo Huapaya, and Chilean Elvira Hernandez
BRENT CUTLER unpicks the cryptic clues of a book within a book within a murder mystery
Reviews of the Neil Charles Quartet, the Freddie Hubbard Quintet, and the Olie Brice Quartet
THIS has been a great year for stories that take liberties with genre and blur the boundaries between fantasy and reality.
Liminal by Bee Lewis (Salt) is an assured debut novel that explores the ways in which myth, dream and landscape affect our behaviour and perception. It’s also a gripping thriller concerning a damaged marriage, a pregnant amputee and the ambiguous motives of a menacing visitor.
More from this author
ANDY HEDGECOCK recommends that these beautifully written diaries from Gaza be essential reading for thick-skinned MPs
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer
ANDY HEDGECOCK admires a critique of the penetration of our lives by digital media, but is disappointed that the underlying cause is avoided
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
