WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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Best of 2018: Fiction
by ANDY HEDGECOCK
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
THIS has been a great year for stories that take liberties with genre and blur the boundaries between fantasy and reality.
Liminal by Bee Lewis (Salt) is an assured debut novel that explores the ways in which myth, dream and landscape affect our behaviour and perception. It’s also a gripping thriller concerning a damaged marriage, a pregnant amputee and the ambiguous motives of a menacing visitor.
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ANDY HEDGECOCK welcomes an entertaining, useful guide to the threats and promises of mathematical rationality
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin