We face austerity from the government, privatisation via academies, a toxic influence on our students online, the attacks of the populist right in Trump and Farage — but we are growing, in number, in militancy — and we have shown we cannot be beaten, says NEU general secretary DANIEL KEBEDE
Back in Cannes again, Ken Loach plumbs pain of inequality
RITA DI SANTO caught up with the legendary socialist film maker at the debut of his new film on the plight of delivery drivers in today’s neoliberal hellscape
Ken Loach, socialist film maker
In a revealing speech, Trump’s economic adviser has exposed the actual strategy behind the tariff policy: forcing other countries to provide financial support for US world hegemony, reports MARC VANDEPITTE
Activist Angie Zelter has been arrested more than a hundred times. She’s not stopping now, writes LINDA PENTZ GUNTER
Natalia Marques looks at last week's ruling that Khalil can be deported and its implications
We are not here to advocate for the arms industry or its CEOs, writes STEVE HANDFORD, and that means we must take a stand against the government’s spending on war
As Labour mimics Tory welfare cuts while ignoring crumbling schools, educators must collectively resist the government's priorities and fight for an inclusive, creative system that values all children, writes NEU president SARAH KILPATRICK
Although our sector is hearing better things from the current government, the recognition that what we do is education in its own right, rather than just childcare, is still not reflected in policy, writes LUCY COLEMAN
SINCE Ken Loach began directing in 1964, he has been invited to Cannes may times, winning the Palme D’Or twice with The Wind That Shakes the Barley in 2006, and 10 years later with the trenchant and timely I, Daniel Blake.
I caught the debut of his latest, Sorry We Missed You, a powerful, visceral, and passionately lucid film that probes Britain, giving a masterful depiction of a modern working-class family.
Ricky, Abby and their two children are a lovely family who care for each other. Ricky wants a better future for them and decides to sell his wife’s car to buy a van and work as a freelance driver for a big company. However, the conditions of his contract are strict, with all burdens placed on him alone, never shared by his employer.
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RITA DI SANTO speaks to Laura Carreira about her study of workers in an Amazon warehouse, On Falling
In the second of a two-part report RITA DI SANTO speaks to Palestinian film-maker Mohammed Almughanni
RITA DI SANTO casts an eye over the winners - and the overlooked films - from this year’s festival
RITA DI SANTO assesses the political reaction to Francis Coppola’s epic, self-funded depiction of the decline of the US empire
