Climate activist and writer JANE ROGERS introduces her new collection, Fire-ready, and examines the connection between life and fiction
Latest editorial
Living in this brief, violent world
JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang
ELEANOR DOBSON reflects on a stark visual record of the violent desecration of Tutankhamun’s mummified remains
RUTH AYLETT appreciates the rich blend of poetry and music that accompanied the launch of the Morning Star’s anthology of poetry, Who We Are
WANJA KIMANI explores the many bonds of community experience expressed in in the bold and colourful imagery of a new mural
New releases from Keeley, Lucinda Williams and Ye Vagabonds
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
LAST year, South Korea made headlines around the world for two reasons. The first was writer Han Kang’s celebrated Nobel prize for literature win in October; the second was far less positive. Late in the evening of December 3 2024, the country’s President Yoon Suk Yeol unexpectedly declared martial law – the first time it had happened since the country became a democracy in 1987.
Protesters and lawmakers rushed on to the streets to resist Yoon’s decree, and martial law was annulled early the next morning at 1am.
The ensuing chaos ended on January 26, with Yoon’s arrest. Protests and counter protests continue and the constitutional court of South Korea is yet to deliver its ruling on Yoon’s impeachment, leaving the country’s political horizons uncertain.
Similar stories
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
JAN WOOLF wallows in the historical mulch of post WW2 West Germany, and the resistant, challenging sense made of it by Anselm Kiefer
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces