Read my lips: Tai Haf Heb Drigolyn (Uninhabited Summer Houses), Rethink Everything
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Sexual misconduct and questions about identity examined
SUSAN DARLINGTON enjoys an imaginative revival of the dance classic
MARIA DUARTE and JOHN GREEN review Michael, The North, Exit 8, Rose of Nevada
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
New releases from Public Image Ltd, William Basinski, John Luther Adams
Banksy’s identity may have been published – but was the investigation in the public interest, asks PETER BENGTSEN
Actually
Trafalgar Studios
ANNA ZIEGLER’S topical two-hander, employing a series of interwoven monologues, revolves around Princeton freshmen students and an accusation of rape brought before a university panel.
Yasmin Page’s insecure yet effervescent Jewish undergraduate, Amber, with a brief unsatisfactory sexual history, tries to overcome her awkwardness and fit in during the drink-fuelled weeks of the fresher’s party world.
Simon Manyonda’s sexually confident Tom, a black student from a low-achieving family, is also trying to come to terms with his strange, new reality in the extended, alcoholic induction to college life.
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MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction