NICK MATTHEWS welcomes the return of Samuel Coleridge-Taylor’s music to the repertoire of this years’ Three Choirs Festival
On not selling out
PAUL DONOVAN applauds a timely play that explores the resonances of McCarthyite nationalism in today’s US
SUPPING WITH THE DEVIL: Stanley Townsend (Mr Parks), Ivanno Jeremiah (Sidney Poitier) and Oliver Johnstone (Bobby) in Retrograde
[Marc Brenner] 
LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
Retrograde
Apollo Theatre, London
THIS fascinating play about actor and civil rights activist Sidney Poitier grips from start to finish.
Retrograde began life at the Kiln theatre in Kilburn, two years ago, prior to graduating on to the West End. Expertly directed by Amit Sharma, Ryan Calais Cameron’s sharp script is brought to life by some great performances from Ivanno Jeremiah (Sidney Poitier), Stanley Townsend (Mr Parks) and Oliver Johnstone (Bobby). The witty dialogue provides a great tempo to the essential plot, which revolves around temptation and betrayal.
Aged 28, Poitier is on the edge of making his acting breakthrough but in the fevered atmosphere of 1950s McCarthyite America, betrayal is required in order to make that leap. He must betray his friend Paul Robeson in order to prove himself a loyal American. The dilemma is nicely summarised with the biblical quote from Poitier as to “what will it profit a man if he gains the whole world yet forfeits his soul.”
More from this author
From Gaza protest bans to proscribing Palestine Action, political elites are showing a crisis of confidence as they abandon Roy Jenkins’s apologetic approach for Suella Braverman’s aggressive ‘hate march’ rhetoric, writes PAUL DONOVAN
PAUL DONOVAN is fascinated by a deep dive into contemporary social crises, that examines how they are manipulated by elites
