PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
IN 1977, Jeff Nuttall wrote: “The aristocracy is always dying. The top of the social tree is always falling away in twigs and powders and leaf-skein.
“It is dying because, having realised ultimate ambition, it has reached ultimate disillusion. The tree grows no further. The upper class has lost its motivation. It has no need to strive. It ceases to strive. It dies perpetually.”
As with every year, poets are already looking to the award and honours that will blossom. I agree the upper classes don’t strive, but they excel at excluding. Earlier this month, poet Niall O’Sullivan noted: “You may think wrestling’s not worth your respect because it’s all fixed but I’ve felt the same about most literary prizes.”
Awards that I do think carry something beyond marketing value are those celebrating potential.
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
PETER MASON welcomes collected writings from Britain’s first black female publisher that focus on the place of black writers in literature
RUTH AYLETT reviews two collections of outright political poetry



