Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Mermaidens, The Old Blue Last, London
Siren calls from inventive New Zealanders
Mermaidens
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
PROMOTING recently released third album Look Me in the Eye — a promising mix of layered psychedlic-lite, prog-infused, hard-rocking tunes topped off with hypnotic harmonies — New Zealand’s Mermaidens take to the stage dressed in red and initially embark on a tour through the trio’s back catalogue.
They begin with Undergrowth from their debut album. A slow, initially trippy soft-guitar track with echoes of Warpaint that gradually builds, hardens and then truly rocks out, it’s a good start.
It’s followed by I Might Disappear, which both showcases the new album and how their style has developed.
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