RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
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Crime fiction round-up: January 7, 2020
MAT COWARD reviews the latest from Christine Poulson, Mark McCrum, Mark Douglas-Home and Riku Onda
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ANDY HEDGECOCK and MARIA DUARTE review Good Night, and Good Luck: Live from Broadway, Becoming Victoria Wood, Hamnet, and Song Sung Blue
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
A LABORATORY on a tidal island off the Devon coast is doing vital research into the mechanism by which viruses can jump from one species to another in An Air That Kills by Christine Poulson (Lion Hudson, £8.99). With the next major flu pandemic widely considered inevitable, this work could potentially save millions of human lives.
But there’s a problem. For some reason, staff turnover is worryingly rapid and medical researcher and reluctant whistleblower Katie Flanagan is persuaded to go undercover at the lab. She hasn’t been there long before a tragedy occurs. Coincidence, or something more sinister?
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Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
Read Sisters, the journal of the National Assembly Of Women, below.
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces