Re-releases from Andy Cohen + Eleanor Ellis + William Lee Ellis, Leon Russell with Mary Russell, and Johnny Winter
Geoffrey Clarke: Intuitionism, Pangolin London
Prints leave their mark on outstanding representations of the extraordinary in the ordinary
INTUITIVE: Two troughs and flat bar, 1964
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
MARTIN HALL examines the way the Roman orator took on different schools of philosophy
ALEX HALL is amused at the way the UFOs appear exactly where commercial interests, conspiracies, militarism and right-wing media overlap
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MICHAL BONCZA and MARIA DUARTE review Eagles Of The Republic, The Balloonists, Star Wars: The Mandalorian and Grogu, and Tom Clancy’s Jack Ryan: Ghost War
PANGOLIN’S curating is exceptional and the decision to present the work of the sculptor Geoffrey Clarke predominantly through his prints is a gamble that pays off handsomely.
Contextualising Clarke’s work from the 1950s to the 1990s, it’s an inspired selection that demonstrates his formal and thematic concerns over decades.
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