JAMES WALSH is moved by a provocative and original take on the relationship between ecology and architecture, and a plea to work with, not against, the materials and minerals of our world
A ‘revelation through concealment’
MIK SABIERS enjoys a book that documents the last project of two artists who mesmerised the public on a grand scale but never succumbed to commercialisation
NEARLY THERE: Ropes are being installed to secure and contour the fabric on the Arc de Triomphe on September 13, 2021
[Lubri]
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
EWAN CAMERON witnesses a political farce that lacks a clear message
EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
L’Arc de Triomphe, WRAPPED
Christo and Jeanne-Claude
Taschen, £20
JUST 16 days in situ, but 60 years in the making, this book charts the creation and construction of Christo and Jeanne-Claude’s L’Arc de Triomphe, WRAPPED, although it doesn’t actually feature the final exhibit in all its glory.
Christo and Jeanne-Claude were known for wrapping, enveloping and engaging with open spaces, large installations and oil barrels (London Serpentine i 2018), but primarily their art was about fabric, textiles and temporary materials interacting with the environment.
Born on the same day in 1935, the pair met and married in Paris in the late 1950s and embarked on a career symbolised by art crossed with large scale landmarks and landscapes.
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SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JAN WOOLF ponders the works and contested reputation of the West German sculptor and provocateur, who believed that everybody is potentially an artist
PETER MASON is beguiled by a fascinating account of the importance of cricket to immigrants from the Caribbean to the UK
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