TONY BURKE plots the career of the legendary Senegalese band from Dakar nightclubs to Glastonbury
BRINK volume 4 by Dan Abnett and INJ Culbard, (Rebellion, £12.99), continues one of the most interesting and thoroughly imagined science fiction comics of recent years.
Originally a strip in the weekly 2000 AD, it takes place in a near future where environmental degradation has forced the human race to evacuate to giant space stations. They’ve taken corporate rule along with them, so the rich are still rich and the rest live in cramped near-poverty, plagued by crime, narcotics and apocalyptic religious cults.
Through a plot that blends horror, cop story and mystery, Abnett’s script and Culbard’s art work together with a rare harmony to create an exciting and convincing portrait of a future.
A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
Conman conned in a twisty thriller, blind trust tested to the limit, cunning murder methods, and tip-top police procedural
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?


