Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Clever and respectful but missing the requisite dramatic excess

When We Dead Awaken
Coronet Theatre, London
IBSEN’S When We Dead Awaken is — as Michael Billington once quipped _ a portrait of the artist as an old man (apologies to James Joyce!)
In the play, successful sculptor Rubek returns to Norway with his young, dissatisfied wife, Maia, only to reconnect with the woman who was the life model for his most successful work and whom he immortalised, albeit in stone.
Through this muse and soul-accomplice Irena, we see how life with its vanities and aspirations, over time, disavows the heart and defeats all inner truths. Only with Irena can Rubek resurrect the soul that he has all but killed.
More from this author

MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China

MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers

A nervous year, showing that the theatre, like the world, stands on a precipice and seems uncertain where to jump

MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence