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Clever and respectful but missing the requisite dramatic excess
two

When We Dead Awaken
Coronet Theatre, London

IBSEN’S When We Dead Awaken is — as Michael Billington once quipped _ a portrait of the artist as an old man (apologies to James Joyce!)

In the play, successful sculptor Rubek returns to Norway with his young, dissatisfied wife, Maia, only to reconnect with the woman who was the life model for his most successful work and whom he immortalised, albeit in stone.

Through this muse and soul-accomplice Irena, we see how life with its vanities and aspirations, over time, disavows the heart and defeats all inner truths. Only with Irena can Rubek resurrect the soul that he has all but killed.

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