TONY BURKE plots the career of the legendary Senegalese band from Dakar nightclubs to Glastonbury
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Science fiction round-up April 2022
with Mat Coward
RITA DI SANTO contemplates two films about journalism that opened this year’s festival
GEOFF BOTTOMS applauds a world-class production King Lear that pits late feudalism against a rising bourgeoisie
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
New releases from Brian Fallon, Antony Szmierek and Hollow Hand
PAUL DONOVAN welcomes a revival of Reginald Rose’s classic play that reminds us of the fundamental need for trials with juries
NELL is a cartographer, the daughter of cartographer parents, in Peng Shepherd’s delicious urban fantasy, The Cartographers (Orion, £14.99).
She’s been estranged from her famous father for several years when he is found dead in his office at the New York Public Library.
Among all the priceless maps he was responsible for, Nell learns that he was inexplicably obsessed with one mass-produced, but now oddly scarce, highway map.
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