STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Bossing it
WILL STONE falls for the charms and back catalogue of a 73 year old
TWINKLE TWINKLE: Bruce Springsteen and lead guitarist Steven Van Zandt in Hyde Park
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Bruce Springsteen & The E Street Band
Hyde Park, London
BRUUUUUUCE! A sea of adoring fans bellowing Springsteen’s name, which sounds a lot like boos, never ceases to amuse. Particularly after a three-hour epic set so seamlessly electrifying that the very idea of so much as a disgruntled heckle would be laughable.
The Boss, a well-earned moniker, is a force of nature on stage — even at 73 — who defies anyone hitherto indifferent to his brand of all-American heartland rock by the sheer vibrancy, passion and showmanship of his live performances.
Tunes about the life of blue collar workers, including Working On The Highway, Badlands and Out In The Street, transform into extended singalong anthems, while the Boss assumes the role of a quasi-conductor to his E Street Band as they jam out on Kitty’s Back.
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‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
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