The ongoing floods in Pakistan could have been largely prevented, writes ABDUL RAHMAN
AI and entertainment: here come the machines, there go the jobs
After the recent writers' and actors' strikes, the bosses in film and TV are embracing the cost-cutting potential of AI even faster than before — barely acknowledging that what they will be cutting is livelihoods, writes DENNIS BROE
NO HUMAN NEEDED? Editing, storyboarding and animation all face being replaced by artificial intelligence
By escalating deportations and cutting remittances, Trump threatens to destabilise Latin American economies and exacerbate humanitarian crises. Ironically, this might trigger a new wave of migration, write JOHN PERRY and ROGER HARRIS
With foreign media banned from Gaza, Palestinians themselves have reversed most of zionism’s century-long propaganda gains in just two years — this is why Israel has killed 270 journalists since October 2023, explains RAMZY BAROUD
On the release of her memoir that reveals everything except politics, Sturgeon’s endless media coverage has focused on her panic attacks, sexuality and personal tragedies while ignoring her government’s many failures, writes PAULINE BRYAN
At 80, Elizabeth Morley wished she could join Palestine Action’s ladder-climbing but found her perfect protest at Defend Our Juries, proving Britain’s elders won’t be silenced despite government crackdowns, writes LINDA PENTZ GUNTER
AMNON BROWNFIELD STEIN reports on the Israeli national strike as thousands call for an end to the war
A MAIN topic of two current TV festivals was AI which, as in other industries, is being touted as a money-saving, cost-cutting entity.
This major trend, which has creators terrified and investors and studio executives “excited,” is the rapidly expanding use in every phase of the business of artificial intelligence, AI.
Perhaps the scariest projection of the technology, described by one longtime independent film assistant director as “nothing but plagiarising software,” is a new gameshow on Korean TV titled Gone Producer. In this nightmare gameshow scenario, the entire series is cast, directed, and produced by AI, which also judges the videos contestants submit in a competition.
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DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
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DENNIS BROE picks his highlights
