GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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CHRIS SEARLE speaks to Glaswegian guitarist JIM MULLEN
Jim Mullen
[Ron Milsom]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
HE’s one of the truly great guitarists of a century of jazz, with a sound all of his own rooted in his love of the songs of Robert Burns. Jim Mullen tells me that he “grew up with his songs and their soulful timelessness.” Just listen to his beautiful millennial album Burns and you’ll hear what he means.
He was born in Glasgow in 1945: “It was the post-war baby boom. My dad was a carpenter, my mum worked in a department store. She would sing along to Bing Crosby and Frank Sinatra on the radio, and when I began playing I half-knew these songs. As a toddler she would offer to read me a story at night, but I would ask her to sing me a song instead.
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