ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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While the others suffered
LYNNE WALSH is spell-bound by a production of Beckett’s classic that weaves the big themes of alienation into the warp and weft of humour and friendship
POST-TRAUMA SCENARIO: Ben Whishaw (Vladimir), Lucian Msamat Estragon)i. Tom Edden (Lucky) and Jonathan Slinger (Pozzo) in Waiting for Godot
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Waiting for Godot
Theatre Royal Haymarket, London
IS this really a play in which nothing happens — twice, as so many critics have claimed?
Is it all nihilistic gloom, or is there a tale of comradeship against the odds?
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
