NICK WRIGHT laments the one-sided telling of French history in an otherwise entertaining spectacle
Divine Invention
Summerhall, Edinburgh
SERGIO BLANCO’s one-man show Divine Invention is part performance lecture, part fictionalised autobiographical memoir. For 65 minutes it draws us in, folding and twisting us through the fabric of its truth.
A man sits at his desk surrounded by props which we read as if reading a film-screen. A notebook, an art-card of a Francis Bacon painting, a microscope (mystifying, and ultimately ultimately enlightening) — objects that encourage us to draw connections.
GEOFF BOTTOMS applauds a world-class production King Lear that pits late feudalism against a rising bourgeoisie
EWAN CAMERON trawls the Edinburgh fringe for new political drama
The Odyssey is a tale of evasions and half-truths; this reflects the effects of traumatic ‘moral injury’ common to war veterans, suggests STEPHAN BLUM
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession


