IAN SINCLAIR reviews new releases from The Beaches, CMAT and Katheleen Edwards
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Yer swash needs buckling
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
TIMBERS SHIVERED: The cast of Treasure Island at the Royal Lyceum, Edinburgh
[Jess Shurte] 
RICHARD MURGATROYD is intrigued by a study that asks why the ability to diagnose outstrips the ability to cure
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
The Bard commutes to work for the first time in 45 years
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
Treasure Island
Royal Lyceum, Edinburgh
I relish it when a theatre company has the guts to eviscerate a classic.
In Warsaw in 1990 I saw a Polish production of Chekhov’s The Seagull that reduced the play to deckchairs, extended pauses and daft symbolism in a witty and absurdist act of cultural vandalism. It was a brilliant East European engagement with things Russian and the deconstruction worked because the audience shared the sense of purpose with which it was done.
What of things Scottish?
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ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
ANGUS REID is bowled over by a cinematic masterpiece that examines the labour of nursing in forensic, dramatic detail
![STEADFAST: Orkney Friends of Palestine congragate in front of St Magnis Cathedral, Kirkwall [Pic: Angus Reid]](https://msd11.gn.apc.org/sites/default/files/styles/desktop/public/2025-05/Orkney%20vigil%20for%20Palestine%20web%20%281%29.jpg.webp?itok=m4Y9vMn1)
ANGUS REID recommends a visit to an outstanding gathering of national and international folk musicians in the northern archipelago
