SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
Yes, we like it
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
AS YOU JAM IT: the cast of As You Like It
[Marc Brenner]
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
As You Like It
The Holloway Garden Theatre, Stratford-upon-Avon
SHAKESPEARE’s reference in Romeo and Juliet to “the two-hour traffic of our stage,” when modern productions of the Bard’s works normally extend to nearer three, has left theatre historians some evidence of how contemporary productions of his plays may have been handled at his bankside Globe theatre.
Perhaps a visit to the RSC’s temporary Avon-side summer theatre with Brendan O’Shea’s 80-minute As You Like It may provide something more of a practical demonstration.
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