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MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
Yes, we like it
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
MARK TURNER is staggered by a gifted jazz pianist from the Welsh Valleys
JESSICA WIDNER explores how the twin themes of violence and love run through the novels of South Korean Nobel prize-winner Han Kang
SARAH TROTT explores short fictional slices of life in the American midwest from a middle-aged and mostly female perspective
As You Like It
The Holloway Garden Theatre, Stratford-upon-Avon
SHAKESPEARE’s reference in Romeo and Juliet to “the two-hour traffic of our stage,” when modern productions of the Bard’s works normally extend to nearer three, has left theatre historians some evidence of how contemporary productions of his plays may have been handled at his bankside Globe theatre.
Perhaps a visit to the RSC’s temporary Avon-side summer theatre with Brendan O’Shea’s 80-minute As You Like It may provide something more of a practical demonstration.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
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