SAHAR MARANLOU explores a novella, newly translated and republished in English that tells the history of Iran through women’s bodies
Latest editorial
Classic production of Othello
GORDON PARSONS hails a magnificent performance by a cast who make sure that every word can be heard and understood
Will Kean as Iago and John Douglas Thompson as Othello
[Johan Persson]
CHRISTOPHE DOMEC relishes a dizzyingly precise fiction that relays the problem of reporting the truth
DAVID NICHOLSON applauds the revival of a joyous production that deals with choirs, competitions and communism
New releases from Peruvian Ranil y Su Conjunto Tropical, Leve Leve: Sao Tome & Principe, and South African BCUC
MARY DAVIS welcomes a remarkable documentary about the general strike — politically spot on, and featuring accounts from the strikers themselves — that is available for screenings
MICHAL BONCZA and MARIA DUARTE review The Stranger, Undertone, and Outcome
Othello
The Royal Shakespeare Theatre, Stratford-upon-Avon
WHEN Peter Hall and John Barton launched the RSC in 1960, they were determined to establish not only a permanent company but one with its own style of acting or Method, based on “the word first and the Method second.” This approach produced some of the greatest theatrical productions of the century.
Sadly time and financial strictures have long since replaced the company’s work with a great variety of Shakespeare productions from visiting directors, with some remarkable results but many failing through aiming for eye-catching novelty.
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