MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
Classic production of Othello
GORDON PARSONS hails a magnificent performance by a cast who make sure that every word can be heard and understood

Othello
The Royal Shakespeare Theatre, Stratford-upon-Avon
WHEN Peter Hall and John Barton launched the RSC in 1960, they were determined to establish not only a permanent company but one with its own style of acting or Method, based on “the word first and the Method second.” This approach produced some of the greatest theatrical productions of the century.
Sadly time and financial strictures have long since replaced the company’s work with a great variety of Shakespeare productions from visiting directors, with some remarkable results but many failing through aiming for eye-catching novelty.
More from this author

While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID

ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China

The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.

ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
Similar stories

GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet

GORDON PARSONS applauds a production which turns a Jacobean obscurity into a dreamlike journey

GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight

GORDON PARSONS is glad to have his mind taken off the election by a perfectly pitched farce