JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
Dusting off a Shakespearan fairy tale
GORDON PARSONS applauds a production which turns a Jacobean obscurity into a dreamlike journey
DREAM-LIKE: Alfred Enoch as Pericles
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
Pericles
The Swan Theatre, Stratford-upon-Avon
THIS fairy tale for adults, thought to have been only partially Shakespeare’s work, is relatively rarely produced today on the modern stage. It did not even appear in the First Folio, the Bard’s Bible. Yet it was apparently very popular in its own day.
Tamara Harvey’s new production for the RSC should serve to resurrect its popularity.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
