ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left
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King queen
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
PIETA: Evan Milton (as Lancaster) with Daniel Evans (as Edward) in Edward II
[Helen Murray] 
DAVID MORGAN recommends a refreshingly inspiring novel that features encounters with some tremendous women
BOB NEWLAND recommends a political thriller from former anti-apartheid activist Peter Hain
JAMES WALSH speaks to Chris Thorpe-Tracey - among many things, a one-time Morning Star columnist — about songs, cities, politics and prophecy
New releases from Max Richter, Julius Asal, and Jean-Michel Jarre
RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation
Edward II
The Swan Theatre, Stratford-upon-Avon
CHRISTOPHER MARLOWE’S grim tragedy is, understandably perhaps, the least often featured of his plays on the modern stage. With our contemporary fixation with LBGT+ concerns, it is not surprising that the RSCS artistic directors should have decided that the time is ripe for an airing.
Daniel Evans, one of those directors, stars in Daniel Raggett’s new pared-down production.
It can be no spoiler for most people who will see this play to recognise that its focal point is necessarily the final horrific rape and murder of a weak and ineffectual king whose obsession with sexual “frolicking with his minion” at the expense of his country’s good brings about his downfall.
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