STEVEN ANDREW praises a beautifully written and enjoyable read
A Haunted Existence
The Island
TOM MARSHMAN’S site-specific exploration of victims of the post-war persecution of homosexuals is heartfelt and worthwhile. But it lacks coherence and its staging fails to take full advantage of the decommissioned subterranean police cells of Bristol’s former Bridewell.
The arrest in 1954 of a 17-year-old on a train going from Exeter to Bristol for propositioning another male passenger led to the prosecution of a further 15 men. Their hidden lives, interrogations, imprisonment and the electrical aversion therapies that followed are all elements of the performance.
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN, ANDY HEDGECOCK and MARIA DUARTE review Holloway, The Last Journey, Red Path and Elio
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
SIMON PARSONS is gripped by a psychological thriller that questions the the power of the state over vulnerable individuals



