In a wide-ranging interview, JEREMY CORBYN talks to Ben Chacko about the difficulties the new Prime Minister faces and why he sees no future in Labour
THERE’S a sense in which all politics are identity politics. Politics are about group interests. And groups are made up of people who share common characteristics, interests or identities.
We all have multiple “identities,” some of them in tension. Some — our sex, ethnicity, family background — we’re born with. Others – job, hobbies, parenthood, age — we acquire in life. Many of us suffer disability of some sort. For each of us, such identities intersect to create a whole which is richer and more complex than each of its component parts (some theorists have called this “intersectionality” – something we’ll discuss in a later answer).
The phrase “identity politics” was first used in the 1970s to characterise campaigns against discrimination mounted by disadvantaged or oppressed groups. Some formed their own dedicated organisations; others pressed their demands through established political parties, trade unions or other bodies. Such single issue campaigns have had considerable success in mobilising activists, challenging prejudice and discrimination, winning extensions of civil rights and protections, with benefits extending well beyond the groups directly affected. Some have spawned liberation movements.
Internationalism is deeply embedded in socialist theory and practice. Examination illuminates its complexity asserts the Marx Memorial Library and Workers’ School
Nature as well as society works dialectically, asserts the Marx Memorial Library and Workers’ School
The selection, analysis and interpretation of historical ‘facts’ always takes place within a paradigm, a model of how the world works. That’s why history is always a battleground, declares the Marx Memorial Library
From hunting rare pamphlets at book sales to online panels and courses on trade unionism and class politics, the MML continues connecting archive treasures with the movements fighting for a better world, writes director MEIRIAN JUMP



