GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Cuba's cinema architecture
Cuba cinemas: Megano and Yara, Havana
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
BEFORE the revolution, there were 511 cinemas in Cuba, with 130-plus in greater Havana alone — more than Paris or New York at that time — and, after the overthrow of the Batista dictatorship, that number increased to more than 600 all over the country.
They delivered a visual spectacle which, like anywhere, was a shared experience. It was a world away from today’s streaming culture but times have changed on the island.
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