The bard gives us advance notice of his upcoming medieval K-pop releases
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Troubling times travel
SUSAN DARLINGTON recommends a gripping near-future chronicle of a city on the edge of conflict
ARTFUL ANACHRONISM: The Good Book
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
SET in Leeds “in the near future,” The Good Book tells the story of a society that's on the brink of civil war.
The first project for Slung Low’s Leeds People's Theatre, the 30-minute film continues its commitment to community engagement.
The back story, in which Queen Bear seized power a decade ago by claiming to carry the spirit of King Arthur, is told in succinct one-liners by local people.
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SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US
SUSAN DARLINGTON enjoys, with minor reservations, the Northern Ballet’s revival of its 1992 classic
SUSAN DARLINGTON revels in an exhilarating adaptation of the gruesome fairytale that invokes the real-life horror of women lost to male violence
SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
