PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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Pictures of the Floating World, Gallagher & Turner, Newcastle upon Tyne
Striking show of the glories of Japanese woodblock printing
FINE PRINTMAKING: Kunichika, Model Heroes of Magic, 1879
LEO BOIX applauds an audacious, self-questioning film about grief, friendship and film-making
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANDY HEDGECOCK, JAMES WALSH and JAMIE BRITTON review Hanging by a Wire, I Want Your Sex, The Pout-Pout Fish, and Rise of the Foot Soldier: Retribution
Chris Searle speaks to US pianist RAN BLAKE
The Bard hands out medals for his Edinburgh campaign and urges us to support The Men They Couldn’t Hang
THE golden age of Japanese woodblock printing in the 18th and 19th centuries saw the spread of a highly populist art form, described as Ukiyo-e, “pictures of the floating world.”
Its meaning captures the fleeting, ephemeral pleasures of life — mostly for Japanese men — the theatre, beautiful women, courtesans, folklore stories and the beauty of animals, flowers and plants.
Produced in books, scrolls or as loose sheets, woodblock prints were made and circulated widely throughout Japanese society from the early 1600s right through until the mid-20th century, with some artists still operating with new styles and methods today.
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