Skip to main content
The Morning Star Shop
Little Red Riding Hood, The Arts Centre Hounslow
Exuberant and innovative take on classic panto
COMMITTED: Little Red Riding Hood cast

EXTENDED lockdown and empty theatres make life very difficult for pantomime which, at its most successful, captures the quintessential family party atmosphere and a sense of togetherness.

 

So hats off to The Arts Centre Hounslow for this live-streamed production, where participation involved working out who of the familiar characters present is actually the Big Bad Wolf’s accomplice — and who will be eaten and by whom.

 

In this decidedly untraditional Red Riding Hood story, there is a forest, a girl in red, a granny and of course a wolf.

 

But this is not every child’s nightmare filled with terror and wild imagination. Instead it’s a tale earthed in a kind of cynicism that allows us to be amused by the story but not in any way affected by it — a pantomime where magic is replaced by realism and folk tradition by a kind of online mystery quiz.

 

There are other characters, too — three pigs, a huntsman and a prince. Granny has not been eaten when Red Riding Hood reaches her flower-patterned cottage, instead she is busy ministering to the wolf and letting him recline in her bed while she buzzes about in the kitchen.

 

References to Harry Potter, an array of pop stars and current news items shred any fairy tale atmosphere there might have been but nevertheless offer a kind of inclusivity. And some boisterous singing and dancing vitalises the action and spreads the energy to onlookers.

 

The actors came up with tight performances and are to be commended for a professional and ardent commitment in playing to an audience whose responses they could only guess at.

 

Daniella Piper had a beautifully sweet central presence as Red Riding Hood, while Danni Payne, Emma Powell and Philip Ryder formed a delightfully disparate trio of pigs and Adam Russell-Owen as Wolf Wolfram gave us a petty criminal with whom we can empathise, rather than the original ravenous demon epitomising a nature red in tooth and claw.

 

The show was worth watching for the mystery elements aimed at children and for the exuberance of the cast and what is lost online in the camaraderie of actor-audience rapport is gained in the light-hearted quirkiness of the story.

 

It's a reminder that theatre is alive and kicking and we can all still participate in it.

 

theartscentrehounslow.co.uk

 

MARY CONWAY

 

 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
moon
Theatre review / 27 June 2025
27 June 2025

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

NUANCED AND COMMANDING: Bessie Carter as Vivie Warren) and Imelda Staunton as Mrs Kitty Warren / Pic: Johan Persson
Theatre review / 25 May 2025
25 May 2025

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

The cast in Regarding Shelley / Pic: Upstairs at the Gatehouse
Theatre / 23 May 2025
23 May 2025

MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life

5ht
Theatre review / 21 May 2025
21 May 2025

MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction

Similar stories
Joyeuse ridden by James Bowen (left) passes Tutti Quanti rid
Horse racing / 8 February 2025
8 February 2025
Our tipster gives this weekend's lowdown
Mari Fflur as the Wolf and Grace O’Brien in the title role
Theatre review / 17 December 2024
17 December 2024
DAVID NICHOLSON is disappointed by a show that fails to engage its target audience
FRIEND OR ANEMONE? Liana Cottrill as The Little Mermaid
Theatre Review / 12 December 2024
12 December 2024
SIMON PARSONS is swept away on the running tide of a dynamic new version of Hans Christian Andersen’s fairy tale
From left Chantel Cole, Emma Grace Arends, Lindzi Germain, L
Theatre review / 18 November 2024
18 November 2024
SYLVIA HIKINS rejoices at the confounding of evil property developers in a subversive re-telling of the fairytale