MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
“CRANACH’S work was daring for the time, especially when viewed against the backdrop of the political and religious upheaval surrounding him,” says Julie Finch, curator at Compton Verney gallery.
“But he also understood his market. Famous for working quickly, he employed a large workshop, which produced numerous versions on popular themes, such as Venus and Cupid or Adam and Eve.
“Instantly recognisable today, these works have become the archetypal images of temptation and its consequences.”
JIM JUMP describes how artists in Britain rallied to the anti-fascist cause
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist



