ANDREW MURRAY is compelled by the moment of revolution in British history when Parliament had political intimacy with society
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MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
The Star's critic MARIA DUARTE Reviews of Twiggy, Mickey 17, Day of the Fight, and Marching Powder
GAVIN O’TOOLE welcomes a masterful study of gang behaviour in the favelas of Sao Paulo
Helen Colley introduces this year’s ScreenCuba film festival with an exclusive offer to Morning Star readers
DENNIS BROE appreciates the work of TV writer Steven Knight, and his systematic exposure of the debilitating effects of British capitalism
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
The Dialectics of Art
by John Molyneux
(Haymarket Books, £17.99)
GROUNDED in a solidly Marxist perspective, John Molyneux’s book is a very fine contribution to writing on art.
Carefully argued chapters on what art is — how we evaluate it, how it changes and develops and the dialectical nature of modernism — are illustrated by case studies of artists including Michelangelo, Rembrandt, Tracey Emin, Jackson Pollock, Andy Warhol and others.
The central strength of these theoretical and case-study strands is the recognition of the dialectical tensions that are generated and expressed in artworks which are produced in class-divided societies like our own.
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