RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
Latest editorial
Talking class and culture
MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
C&C
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
AROUND 60 people gathered last Saturday in Barnsley for the Communist Party’s first-ever conference on culture. Called “Class and Culture,” the conference was held in the inspiring surroundings of the NUM headquarters in Barnsley, and was chaired by Ron Brown, co-convener of the party’s Culture Commission.
The aim of the event was to bring together party members, supporters, cultural activists and performers, to look at ways in which the cultural struggle, and the drive to promote cultural democracy, could be ramped up and integrated more closely with our economic and political struggles for a better world.
Communist Party chair Ruth Styles opened the event by sketching out some key problems which we faced in the struggle for cultural democracy. Firstly, problems of access of working-class people to cultural experiences of all kinds, because of cost, location and the increasing lack of cultural education in schools.
More from this author
MIKE QUILLE relishes political theatre at its most entertaining, engaging and effective
MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre
Labour’s manifesto proposals for broadening access to culture are initiatives which will enhance the lives of millions, says MIKE QUILLE